清代哥窑堆塑罐

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清代哥窑堆塑罐
Qing dynasty ge kiln pile plastic pot
口径：3.6cm 底径：3.6cm 高：8.8cm
CAL：3.6cm Bottom diameter:3.6cm High:8.8cm
此藏品为“清代哥窑堆塑罐”，品相完整，器形规整，胎质紧密，釉色均匀，匀润透亮，小巧。罐口分别堆塑“蛇”、“鼠”呼应，栩栩如生，圆腹，灰青釉，釉面佈满深褐色开片裂纹。圈足露胎，胎白细腻，底足无釉，呈黄褐色，胎底刻有“大清嘉庆年制”篆书体，年代感较强。
This collection is "qing dynasty ge kiln piles the model pot", the product phase is complete, the vessel shape is regular, the foetus quality is close, the glaze color is even, even run transparent, the cabinet is exquisite. Jar mouth piles model respectively "snake", "rat" echo, lifelike, round abdomen, glazes of gray green, glaze is full of dark brown to open a crack. Circle foot dew fetus, the fetus white is exquisite, the bottom foot does not have the glaze, is yellowish brown, the tire bottom is engraved "the qing dynasty jiaqing year system" the seal script body, the age sense is stronger.
哥釉器，亦名碎釉瓷，始于宋代，是宋代五大名窑之一，但宋代哥釉传世极少。哥釉瓷有一个重要的特征是釉面开片，这是瓷器釉面的一种自然开裂现象。明代时期，景德镇成功烧制哥釉器。从永宣至成化，哥釉瓷已经达到了尽善尽美的程度，尤以成化仿哥釉瓷瓶、斗笠碗、炉等为主流，釉层莹润，光泽内敛，也成功烧出了金钩铁线。目前，成化仿哥釉瓷已经难觅踪影。明晚期至清乾隆，哥釉瓷再一次达到顶峰。其细碎的纹片，肥厚的釉层成为当时瓷器争相效仿的宠儿。哥釉青花龙纹是在玉质般的哥釉上面描绘鲜艳、明亮的青花，使古典的青花与龙纹相得益彰，互为衬托，极为美观。哥釉器青花纹饰一经推出，一时成为备受追捧的“香饽饽”。晚明至清代的哥釉青花被景德镇大窑、名窑纷纷仿制。在众多窑址中，一些为官烧制的青花瓷为与民间款以示不同，题“官”字以示区别，字体采用宋代常见的款识，也有些用浅刻纹，因此普遍出现小器大开片、大器小开片的哥釉瓷现象。
Brother glaze ware, also known as Broken Glaze Porcelain, began in the Song Dynasty and was one of the five famous kilns in the Song Dynasty. However, the Brother glaze in the Song Dynasty was seldom handed down. One of the important characteristics of Ge glazed porcelain is glaze opening, which is a natural cracking phenomenon of glaze. In the Ming Dynasty, Jingdezhen successfully fired Ge glaze wares. From Yongxuan to Chenghua, Ge glazed porcelain has reached the perfect level, especially Chenghua imitation Ge glazed porcelain bottles, Douli bowls, stoves and other mainstream glaze, luster, restrained, also successfully burned gold hook wire. At present, Chenghua Copenhagen-like glazed porcelain has been difficult to trace. From late Ming to Qianlong in Qing Dynasty, Ge glazed porcelain reached its peak again. Its fine fragments and thick glaze became the favorite of the porcelain at that time. Brother glaze blue-and-white dragon pattern is a bright and bright blue-and-white painting on the jade-like brotherhood glaze, which makes the classical blue-and-white and Royal Dragon Pattern complement each other, and is very beautiful. Brother glaze blue-and-white decoration once launched, it became a highly sought-after "fragrant baboon". From late Ming Dynasty to Qing Dynasty, the bronze glaze blue and white quilt of Jingdezhen kiln and famous kiln were imitated one after another. In many kiln sites, some blue-and-white ceramics fired for officials are different from the folk ones. The Title "official" is used to show the difference. The fonts are often used in the Song Dynasty, and some are used in shallow engravings. Therefore, brotherly glazed ceramics with large openings and large openings are common.
此堆塑罐原本是从西域那里传入中原的瓷器。有一传此罐乃古代民间一种法器,由来已久,有镇宅聚宝之功效。作品体现出清代对西域文化的包容吸收,也从一个侧面反映出其时我国与西域各国在经济、文化方面的交流情形。堆塑罐上有一蛇一鼠，蛇在古代有着非常特别的象征意义。这个应该在上古时期就有了，山海经中的女娲便是蛇形人身，后来蛇也作为图腾象征所流传下来，蛇也有是蛟龙的一说法。鼠固然 口碑不佳，容颜也不讨人喜欢，还落得个“老鼠过街，人人喊打”的千古骂名，但从社会、民俗和文化学的角度来看，它早已洗心革面，由一个无恶不作的害人精，演化出来一个具有无比灵性，聪明神秘的小生灵。
This moulded pot was originally imported from the Western Regions into the Central Plains of China. There is a tradition that this pot is a kind of ancient folk magic instrument. It has a long history and has the effect of removing evil spirits and gathering treasures in houses. The work reflects the inclusive absorption of Western Regions culture in the Qing Dynasty, and also reflects the economic and cultural exchanges between China and Western Regions countries at that time. There is a snake and a rat on the moulding pot. The snake has a very special symbolic meaning in ancient times. This should have existed in ancient times. Nuwa in Shanhai Jing was a snake-like person. Later, snakes were handed down as totem symbols, and snakes were also a saying of Jiaolong. Although the mouse is not well-known, its face is not pleasant, and it has been called a "mouse crossing the street, everyone shouts and beats" for thousands of years, but from the perspective of society, folklore and culture, it has already changed its mind, evolved from a harmful spirit that does nothing evil, and evolved into a spiritual, intelligent and mysterious little creature.
根据清 黄鷟来《咏怀》之四：“失志蛇鼠伏，得时蛟龙翔“。
这样的寓意就是，在不得志或不成功时要想老鼠和蛇一样蛰伏起来，一但有机会就像蛟龙一样一飞冲天。延伸意义就是胜不骄，败不馁。所以这个还有望子成龙蛇鼠罐之别称。
According to the fourth part of Yonghuai written by the Qing Yellow Mandarin, "Lost in mind, snakes and mice are crowded, and the Dragon flies in time".
The implication is that if you want a rat to lurk like a snake when you are unsuccessful or unsuccessful, you can fly like a dragon once you have a chance. Extension means winning without arrogance and losing without discouragement. So this is also the nickname of Jackie Chan's snake and rat jar.
清朝时期陶瓷文化，汉族劳动人民瓷器烧造水平可谓。数千年的经验，加上景德镇的天然原料，督陶官的管理，清朝初年的康熙、雍正、乾隆.嘉庆四代，因政治安定，经济繁荣，皇帝重视，瓷器的成就也非常，皇帝的爱好与提倡，使得清初的瓷器制作技术高超，装饰精细华美，成就不凡，充分体现了古代汉族劳动人民的才能和和艺术创造力。是悠久的中国陶瓷史上光耀灿烂的一页。
During the Qing Dynasty, the ceramic culture of the working people of the Han nationality reached its peak. Thousands of years of experience, together with Jingdezhen's natural raw materials, the management of pottery officials, Kangxi, Yongzheng, Qianlong and Jiaqing dynasties in the early Qing dynasty, due to political stability, economic prosperity, the emperor attached great importance to the achievements of porcelain, the emperor's hobbies and advocacy, made the early Qing Dynasty's pottery production technology superb, fine decoration beautiful. The outstanding achievements fully reflect the outstanding talent and artistic creativity of the ancient Han working people. It is the most brilliant page in the long history of Chinese ceramics.