藏品鉴赏---哥窑三足炉

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藏品鉴赏---哥窑三足炉
Key Collection Appreciation--Geyao Sanzu Furnace

哥窑是宋代五大名窑之一。据史料记载，浙江龙泉南宋时有章家二兄弟，均以陶为业，各主一窑，兄所主之窑名哥窑，弟窑亦称龙泉窑。哥窑瓷器的特点是里外披釉，均匀光洁，晶莹滋润，不仅扣之瓷音清亮，而且造型挺拔大方，轮廓亦柔和流畅。属于青瓷系的哥窑器，以釉色取胜。哥釉瓷器从色泽区分，有月白、灰黄、粉青、灰青、油灰、深浅米黄等种类。哥窑瓷显著的特征是釉色沉厚细腻，光泽莹润，如同凝脂；若置之于显微镜下，可见瓷釉中蕴含的气泡如同聚沫串珠，凝腻的釉面间迸裂有大小不一，或密匝或疏落的冰裂状网纹，其网纹之色浅黄者宛若金丝，细黑者如铁线，二者互相交织，因而被名之为 “ 金丝 ” “ 铁线 ” 。宋代哥窑胎质坚细，瓷器口沿尖窄，厚釉在瓷器口沿不能存留，垂釉多在口沿边稍下处形成略微凸出之环形带，因口沿处胎骨略黯而被称之为 “ 紫口 ” ，此为宋哥窑瓷之一绝，尽管以后历代有许多仿宋哥窑，但在烧制上皆未能臻此绝艺。
Geyao kiln is one of the five famous kilns in Song Dynasty. According to historical records, there were two brothers of Zhang family in the Southern Song Dynasty in Longquan, Zhejiang Province. They all took pottery as their business. Each kiln was owned by one kiln. The kiln owned by the brother was named Ge kiln, and the younger brother kiln brother kiln was also called Longquan kiln. Ge kiln porcelain is characterized by glazed inside and outside, uniform and smooth, crystal and moist, not only the sound of the button porcelain is clear, but also the shape is upright and generous, the outline is soft and smooth. The brotherhood kiln belongs to celadon system and wins with glaze color. Ge glaze porcelain can be distinguished by its color, such as moonlight, grey yellow, pink blue, grey blue, putty, deep or shallow beige, etc. The most prominent feature of Geyao porcelain is that the glaze is thick and delicate, lustrous and moist, like congealed grease; if placed under a microscope, it can be seen that the bubbles contained in the glaze are like foam beads, the size of the burst between the congealed glazes varies, or the dense or sparse ice-cracked reticulation, whose reticulation is light yellow like gold wire, and the fine black is like iron wire. The two are intertwined, so they are called "gold wire" and "iron wire". In Song Dynasty, Ge kiln had a fine texture, narrow porcelains mouth, and thick glaze could not be retained along the porcelains mouth. Vertical glaze mostly formed a slightly protruding ring belt at the lower edge of the mouth. It was called "Zikou" because of the slightly dim fetal bones along the mouth. This was one of the best porcelains of Song Ge kiln. Although there were many imitations of Song Ge kilns in successive dynasties, it was still unfired. Can attain this marvelous skill.


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艺术品名称：哥窑三足炉
Artwork Name: Geyao Sanzu Furnace

艺术品款识：宋
Art appreciation: Song Dynasty

艺术品规格：高：12.5cm
Specification of artwork: high: 12.5cm

艺术品简介：
Artwork Introduction:

此炉是宁夏银川顾先生之物，观此炉，撇口，束颈，圆腹，底承三乳足。造型古朴典雅，形体庄重，敦实憨厚，圆浑秀美。通体施仿哥釉，胎骨较厚，釉色滋润如玉。釉面布满大小纹片，错落有致，纵横交织如网，层层迭迭，晶莹透亮，在青釉的掩映下，犹如冬天江河里的冰块碎裂，相得益彰，饶有趣味，形成“铁线”，古拙而不失俊美。此炉器型、胎釉均着意模仿传世哥窑，极富凝重古朴之感深得宋器之神韵，器形端庄，釉面浑厚滋润，釉色均匀，乃哥釉佳作。哥釉三足炉，品相完整、开片自然、釉色沉厚细腻、光泽莹润。整器型制规整，庄重沉稳，古朴大方，制作，通体哥釉釉色均匀，且保存完整，十分，堪称佳作，是代表宋代哥窑烧造水平的杰作，收藏价值和艺术价值。
This stove is the object of Mr. Gu of Yinchuan, Ningxia. Look at this stove, skim the mouth, tie the neck, round belly, bottom bearing three breasts. The shape is simple and elegant, the body is solemn, solid and simple, round and beautiful. The body imitates Brother glaze, the fetal bone is thicker, and the glaze color is moist as jade. Glaze is covered with large and small patches, scattered and delicate, interwoven vertically and horizontally, such as nets, layers of overlapping, crystal clear and bright, under the cover of blue glaze, like ice fragmentation in winter rivers, complement each other, interesting, forming a "iron line", clumsy but beautiful. This type of furnace and fetal glaze are designed to imitate the handed down Brother Kiln. It has a strong sense of dignity and simplicity, and it has the charm of Song Dynasty wares. Its shape is dignified, its glaze surface is thick and moist, and its glaze color is even. It is a masterpiece of Brother glaze. Brother glaze tripod oven, complete appearance, natural opening, thick and delicate glaze color, luster and luster. It is a masterpiece of the Song Dynasty. It is a masterpiece representing the firing level of the Song Dynasty Brother Kiln. It has great collection value and artistic value.

哥窑，是宋代五大名窑之一，历代受到文人和藏家高度重视和喜爱，因其体现宋人的不事雕琢，追求清丽秀挺的文人审美，展现了古人尚玉的精神，也是五大名窑中具神秘感的瓷器。哥窑“质美艺高”，曾深受乾隆皇帝所喜爱，曾咏诗：“芝为华彩玉为肌，火气全无古气批，恰似白描吴道子，观音妙相手中持”。
Geyao kiln is one of the five famous kilns in Song Dynasty. Literatures and Tibetans have attached great importance to it in past dynasties. It embodies the noble carving of Song people, pursues the beautiful and elegant literati aesthetics, shows the spirit of worshiping jade of the ancients, and is also the most mysterious porcelain in the five famous kilns. Geyao was once loved by Emperor Qianlong for its high quality, beautiful and artistic skills. He chanted poems: "Chi is a colorful jade for its muscle, and its fire is totally unprecedented. It is just like drawing Wu Taozi in white, holding in the hands of Guanyin Miao".

香炉作为我国古代传统的实用器在宋代以前主要是用青铜和陶制成，宋代以后，以瓷为材质的香炉逐渐取代了陶制和铜制香炉，成为香炉的主流。元代瓷炉在器形和釉色上基本保留了宋代瓷炉风格，但在数量和品种上有所增长，以中小型香炉为主。
As a traditional utility in ancient China, incense burners were mainly made of bronze and pottery before the Song Dynasty. After the Song Dynasty, incense burners made of porcelain gradually replaced pottery and copper incense burners and became the mainstream of incense burners. The style of the Song Dynasty porcelain furnaces was basically retained in the shape and glaze color of the Yuan Dynasty porcelain furnaces, but the number and variety of them increased, mainly in small and medium-sized incense furnaces.

宋元时期好古之风盛行，香炉大量模仿前代青铜器型，出现了鼎式炉、簋式炉、鬲式炉等直接取材于秦汉三国时期铜鼎，铜簋、铜鬲的器型。此件溧水博物馆收藏的哥窑三足炉就是由青铜鼎演变而来。炉身金丝铁线般的冰裂开片，和饱满圆润的造型，使得整个香炉虽然小巧但不失肃穆庄重，这也是宋元时期文房用器的一贯风格。香炉的进化史实际是香料和焚香方式的演变史，宋元时期刚好处在承上启下的时代，也就成为了香炉集大成的时代。
In the Song and Yuan Dynasties, the trend of good antiquity prevailed, and incense stoves imitated bronze wares of previous dynasties in a large number. Ding-type stoves, bamboo-type stoves and bamboo-type stoves appeared, which were directly drawn from copper tripod, bamboo-type stoves and bamboo-type wares in the Qin and Han Dynasties. The tripod kiln in the Lishui Museum was evolved from a bronze tripod. The hearth of the incense burner is small but solemn because of its golden wire-like ice-cracking and full and round shape, which is also the consistent style of the study appliances in the Song and Yuan Dynasties. The evolution history of incense burners is actually the evolution history of spices and incense burning methods. The Song and Yuan Dynasty was just in the era of connecting the preceding and the following, and also became the era of incense burners.

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Welcome collectors to call for consultation to come to buy!!!